Las óleos de todo Thomas Gainsborough


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ID Image  Painting (From A to Z)       Details 
33814  
Thomas Gainsborough, Robert Andrews and his Wife Frances
 
 Robert Andrews and his Wife Frances   mk86 c.1750 Oil on canvas 69.8x119.5cm London,National Gallery
21934  
Thomas Gainsborough, Robert Andrews and his Wife Frances (mk08)
 
 Robert Andrews and his Wife Frances (mk08)   c.1750 Oil on canvas 69.8x119.5cm London,National Gallery
28736  
Thomas Gainsborough, Robert Butcher of Walthamstan
 
 Robert Butcher of Walthamstan   mk61 Oil on canvas 75x62cm
84411  
Thomas Gainsborough, Saintes
 
 Saintes   1783(1783) Medium Oil on canvas Dimensions 71 x 40 cm (28 x 15.7 in) cyf
44572  
Thomas Gainsborough, Sarah Siddons
 
 Sarah Siddons   mk173 1785 Oil on canvas 125.7x100.3cm
78959  
Thomas Gainsborough, Sarah Siddons
 
 Sarah Siddons   1785(1785) Medium Oil on canvas Dimensions 126 x 100 cm (49.6 x 39.4 in) cyf
38190  
Thomas Gainsborough, Sarah,Lady innes
 
 Sarah,Lady innes   mk29 c.1757 Oil on canvas 101.6x72.7cm
89199  
Thomas Gainsborough, Seashore with Fishermen
 
 Seashore with Fishermen   1781-1782 Medium oil on canvas cjr
78819  
Thomas Gainsborough, Self portrait
 
 Self portrait   1787(1787) Medium Oil on canvas Dimensions 73.5 x 58.5 cm (28.9 x 23 in) cyf
79011  
Thomas Gainsborough, Self portrait
 
 Self portrait   1754(1754) Medium Oil on canvas Dimensions 58 x 49 cm (22.8 x 19.3 in) cyf
81390  
Thomas Gainsborough, Self portrait
 
 Self portrait   1758-1759 Medium Oil on canvas Dimensions 76.2 x 63.5 cm (30 x 25 in) cyf
1316  
Thomas Gainsborough, Self Portrait ss
 
 Self Portrait ss   1787 Royal Academy of Arts, London
26932  
Thomas Gainsborough, Self-Portrait
 
 Self-Portrait   mk52 C.1759 Oil on canvas 76.2x63.5cm Natinal Portrait Gallery,London
29553  
Thomas Gainsborough, Self-Portrait
 
 Self-Portrait   1787 Oil on canvas
40621  
Thomas Gainsborough, Self-Portrait
 
 Self-Portrait   mk156 1790 Oil on canvas 100x81cm
40894  
Thomas Gainsborough, Self-portrait
 
 Self-portrait   mk156 c.1754
40934  
Thomas Gainsborough, Self-portrait
 
 Self-portrait   mk158 1754
40959  
Thomas Gainsborough, Self-Portrait
 
 Self-Portrait   mk158 c.1759
58908  
Thomas Gainsborough, Self-Portrait
 
 Self-Portrait   Self-Portrait (1754)
77174  
Thomas Gainsborough, Self-portrait
 
 Self-portrait   1754(1754) Oil on canvas 58 ?? 49 cm (22.8 ?? 19.3 in) cjr
40908  
Thomas Gainsborough, Self-portrait with and Daughter
 
 Self-portrait with and Daughter   mk158 c.1748
98104  
Thomas Gainsborough, Sir Benjamin Thompson
 
 Sir Benjamin Thompson   Dimensions: 75.25 cm. x 62.55 cm. actual cyf
40917  
Thomas Gainsborough, St Mary-s Church
 
 St Mary-s Church   mk158 Hadleigh Suffolk 1747-48
40910  
Thomas Gainsborough, Study for a Foreground,a Bank with Weeds and Thistles
 
 Study for a Foreground,a Bank with Weeds and Thistles   mk158 c.1750
39726  
Thomas Gainsborough, Suffolk landscape
 
 Suffolk landscape   mk150 c.1750 Canvas 66x95cm
76733  
Thomas Gainsborough, Suffolk Landscape
 
 Suffolk Landscape   Suffolk Landscape, mid-1750s oil on canvas painting by Thomas Gainsborough, Kimbell Art Museum. cjr
80228  
Thomas Gainsborough, Suffolk Landscape
 
 Suffolk Landscape   oil on canvas painting by Thomas Gainsborough, Kimbell Art Museum Date mid-1750s cyf
58898  
Thomas Gainsborough, Sunset
 
 Sunset   Sunset (1760)
58905  
Thomas Gainsborough, The Artist Daughters, Molly and Peggy
 
 The Artist Daughters, Molly and Peggy   The Artist`s Daughters, Molly and Peggy (1760)
51017  
Thomas Gainsborough, The Artist-s Daughters with a Cat
 
 The Artist-s Daughters with a Cat   1759-61 Oil on canvas, 75,6 x 62,9 cm
56138  
Thomas Gainsborough, the blue boy
 
 the blue boy   mk247 1770,oil on canvas,70x48 in,178x122 cm,huntington art collections,san marino,ca,usa
58892  
Thomas Gainsborough, The Blue Boy
 
 The Blue Boy   The Blue Boy (1770). The Huntington, California.
40918  
Thomas Gainsborough, The Charterhouse,
 
 The Charterhouse,   mk158 London November 1748
40921  
Thomas Gainsborough, The Fallen Tree
 
 The Fallen Tree   mk158 c.1750-53
1304  
Thomas Gainsborough, The Harvest Wagon
 
 The Harvest Wagon   1767 Barber Institute of Fine Arts, Birmingham
50852  
Thomas Gainsborough, The Harvest wagon
 
 The Harvest wagon   mk216
52715  
Thomas Gainsborough, The Harvest Wagon
 
 The Harvest Wagon   mk223 Oil on canvas
56578  
Thomas Gainsborough, the harvest wagon
 
 the harvest wagon   mk248 gainsborougb, som enbart verkade i sin atelje, ardetade ofta mot en malad landskapspsfond, upplyst av levande ljud.han kom att upppskarra rubens ocb den nederlandske madtarens influenser marks bar i de flytande liytande linjerna ocb korsnedtagningen.
31817  
Thomas Gainsborough, The hon.frances duncombe
 
 The hon.frances duncombe   mk76 Painted c.1777 Oil on canvas 92 1/4x61 1/8in
1308  
Thomas Gainsborough, The Honorable Mrs Graham
 
 The Honorable Mrs Graham   1775-77 National Gallery of Scotland, Edinburgh
52721  
Thomas Gainsborough, The Honourable
 
 The Honourable   mk223 Mrs Graham Mrs Graham was one of the many society beauties Gainsborough painted in order to make a living,although he preferred painting landscapes
50859  
Thomas Gainsborough, The Honourable mas graham mars Graham was one of the many society beauties Gainsborough painted in order to make a living
 
 The Honourable mas graham mars Graham was one of the many society beauties Gainsborough painted in order to make a living   mk216
40916  
Thomas Gainsborough, The Idle-Prentice at Play in the Church Yard during Divine Service
 
 The Idle-Prentice at Play in the Church Yard during Divine Service   mk158 1747
40962  
Thomas Gainsborough, The Lady-s Last Stake
 
 The Lady-s Last Stake   mk158 1759
43295  
Thomas Gainsborough, The Maket Cart
 
 The Maket Cart   mk170 1786 Oil on canvas 184.2x153cm
31818  
Thomas Gainsborough, The mall in St.James's Park
 
 The mall in St.James's Park   mk76 Painted probably in 1783 Oil on canvas 47 1/2x57 7/8in
38231  
Thomas Gainsborough, The Mall in St.James-s Park
 
 The Mall in St.James-s Park   mk29 c.1783 Oil on canvas
78936  
Thomas Gainsborough, The Marsham Children
 
 The Marsham Children   1787(1787) Medium Oil on canvas Dimensions 243 x 182 cm (95.7 x 71.7 in) cyf
33816  
Thomas Gainsborough, The Morning Walk
 
 The Morning Walk   mk86 c.1785/86 Oil on canvas 263.3x179.1cm London,Nationa Gallery
21936  
Thomas Gainsborough, The Morning Walk (mk08)
 
 The Morning Walk (mk08)   c.1785/86 Oil on canvas 263.3x179.1cm London,National Gallery
58895  
Thomas Gainsborough, The Painter Daughters Chasing a Butterfly
 
 The Painter Daughters Chasing a Butterfly   The Painter`s Daughters Chasing a Butterfly
1306  
Thomas Gainsborough, The Painter's Daughters Chasing a Butterfly
 
 The Painter's Daughters Chasing a Butterfly   1755-56 National Gallery, London
40942  
Thomas Gainsborough, The Painter-s Daughters chasing a Butterfly
 
 The Painter-s Daughters chasing a Butterfly   mk158 c.1756
40953  
Thomas Gainsborough, The Shepherd Boy
 
 The Shepherd Boy   mk158 c.1757-59
40935  
Thomas Gainsborough, The Suffolk Plough
 
 The Suffolk Plough   m158 c.1754
44601  
Thomas Gainsborough, The three Eldest Princesses
 
 The three Eldest Princesses   mk173 1784 Oil on canvas 129.5x179.7cm
33815  
Thomas Gainsborough, The Watering Place
 
 The Watering Place   mk86 1777 Oil on canvas 147.3x180.3cm London,National Gallery
21935  
Thomas Gainsborough, The Watering Place (mk08)
 
 The Watering Place (mk08)   1777 Oil on canvas. 147.3x180.3cm London,National Gallery
79080  
Thomas Gainsborough, Thomas Graham
 
 Thomas Graham   1777(1777) Medium Oil on canvas Dimensions 237 x 154 cm (93.3 x 60.6 in) cyf
58903  
Thomas Gainsborough, Two Daughters with a Cat
 
 Two Daughters with a Cat   Two Daughters with a Cat (c. 1759)
92659  
Thomas Gainsborough, View in Suffolk
 
 View in Suffolk   c. 1755 Medium oil on canvas Dimensions 37 3/4 x 49 3/8 in. (95.9 x 125.4 cm) cjr
33817  
Thomas Gainsborough, Woman in Blue
 
 Woman in Blue   mk86 before 1780 Oil on canvas 76x64cm St Petersburg,Hermitage
77571  
Thomas Gainsborough, Woman in Blue
 
 Woman in Blue   Oil on canvas 76 ?? 64 cm (29.9 ?? 25.2 in) cjr
79528  
Thomas Gainsborough, Woman in Blue
 
 Woman in Blue   Oil on canvas 76 x 64 cm (29.9 x 25.2 in) Late 1770s - early 1780s cjr
79602  
Thomas Gainsborough, Woman in Blue
 
 Woman in Blue   Oil on canvas Late 1770s - early 1780s 76 x 64 cm (29.9 x 25.2 in) cjr
21937  
Thomas Gainsborough, Woman in Blue (mk08)
 
 Woman in Blue (mk08)   1780 Oil on canvas 76x64cm St Petersburg,Hermitage
1319  
Thomas Gainsborough, Wooded Landscape with Mounted Drover
 
 Wooded Landscape with Mounted Drover   1780
40904  
Thomas Gainsborough, Wooded Landscape with River
 
 Wooded Landscape with River   mk158 mid 1740s

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Thomas Gainsborough
1727-1788 British Thomas Gainsborough Locations English painter, draughtsman and printmaker. He was the contemporary and rival of Joshua Reynolds, who honoured him on 10 December 1788 with a valedictory Discourse (pubd London, 1789), in which he stated: If ever this nation should produce genius sufficient to acquire to us the honourable distinction of an English School, the name of Gainsborough will be transmitted to posterity, in the history of Art, among the very first of that rising name. He went on to consider Gainsborough portraits, landscapes and fancy pictures within the Old Master tradition, against which, in his view, modern painting had always to match itself. Reynolds was acknowledging a general opinion that Gainsborough was one of the most significant painters of their generation. Less ambitious than Reynolds in his portraits, he nevertheless painted with elegance and virtuosity. He founded his landscape manner largely on the study of northern European artists and developed a very beautiful and often poignant imagery of the British countryside. By the mid-1760s he was making formal allusions to a wide range of previous art, from Rubens and Watteau to, eventually, Claude and Titian. He was as various in his drawings and was among the first to take up the new printmaking techniques of aquatint and soft-ground etching. Because his friend, the musician and painter William Jackson (1730-1803), claimed that Gainsborough detested reading, there has been a tendency to deny him any literacy. He was, nevertheless, as his surviving letters show, verbally adept, extremely witty and highly cultured. He loved music and performed well. He was a person of rapidly changing moods, humorous, brilliant and witty. At the time of his death he was expanding the range of his art, having lived through one of the more complex and creative phases in the history of British painting. He painted with unmatched skill and bravura; while giving the impression of a kind of holy innocence, he was among the most artistically learned and sophisticated painters of his generation. It has been usual to consider his career in terms of the rivalry with Reynolds that was acknowledged by their contemporaries; while Reynolds maintained an intellectual and academic ideal of art, Gainsborough grounded his imagery on contemporary life, maintaining an aesthetic outlook previously given its most powerful expression by William Hogarth. His portraits, landscapes and subject pictures are only now coming to be studied in all their complexity; having previously been viewed as being isolated from the social, philosophical and ideological currents of their time, they have yet to be fully related to them. It is clear, however, that his landscapes and rural pieces, and some of his portraits, were as significant as Reynolds acknowledged them to be in 1788.



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